Friday, August 2, 2019

Mormonism and Dime Novels; pulp fiction and the culture of those times


Review by Doug Gibson

I really enjoy the Mormon-themed book offerings from Greg Kofford Books. They are often edgy, grizzly-bear history lessons. The Mormon Image in Literature book series provides reprints of pulp fiction (albeit to be fairly well written) from the 18th century and early 19th century. Besides melodramatic, thrilling tales, the series offers contemporary readers a glimpse into how the popular culture of those times viewed Mormonism in its chaotic youth. On this blog we have reviewed a book in the series, The Mormoness.

The latest series is titled Dime Novel Mormons, a collection of four novellas that sold many, many copies nationwide for no more than a dime, or even a nickel. Four novellas are offered: Eagle Plume: The White Avenger. A Tale of the Mormon Trail (1870); The Doomed Dozen; Or Dolores, the Danite's Daughter (1881); Frank Merriwell Among the Mormons; Or the Lost Tribe of Israel (1897); and The Bradys Among the Mormons; Or Secret Work in Salt Lake City (1903).

The plots reflect the times. Mormons are the bad guys; rough or old men constantly on the prowl to kidnap virginal young women. Handsome young men, Mormon opponents, of course, ultimately help save the day. The plots reveal controversial topics within Mormonism. Polygamy is a given, but also the more myth than reality "Danites" vigilantes are a plot staple, as is thinly veiled episodes that recall The Mountain Meadows Massacre, or Utah territory's near deadly conflicts with the federal government, and even Reed Smoot's struggle to be a U.S. Congressman 100-plus years ago.

In an introduction, editors Michael Austin and Ardis E. Parshall provide an entertaining overview of the Dime Novels. Advances in printing in the mid 19th century moved books from luxury-item status to a ubiquitous item. Fifteen thousand- to 30,000-word action novels, heavy on dialogue, action, stereotypes, hyperbole, danger and prejudices, won over the general populace. They were cheap, satisfying diversions, printed in tiny type on newsprint. Multiple scores of thousands were printed over generations.

From the introduction: "Though dime novels did a lot to promote literacy and book ownership they didn't do much for peace, love and understanding. Their narrative formulas required spectacular villains and their style guides did not allow floor depth or character development, so they turned to the most simplistic and outrageous stereotypes ..."

The novellas are extremely entertaining, even today. The best are short and to the point, lean and mean with not an ounce of exterior fat. Frank Merriwell ... was my favorite, as the protagonist, featured in a series of books, travels to a renegade fundamentalist Mormon town to rescue a young lovely from a depraved, elderly polygamist. Here's a very short snippet from Frank Merriwell where a misguided fundamentalist Mormon father prepares to place his daughter in the hands of a predatory, elderly polygamist:

"Ah, but you will discover your mistake when the good elder has made thee his wife."
"Which he shall never do, father! I refuse to become the ninth Mrs. Holdfast. Asaph Holdfast already has seven living wives and one has died. Ugh!" she cried with a shiver.

Eagle Plume ... was a great read. It's a tale of vengeance, with our protagonists traversing the western Frontier to find a dastardly Mormon who wrecked the lives of their womenfolk. It should be noted that the books portray Mormonism's sinful status as institutional; the heroes are literally combating an army division in the destroying "Danites."

The Bradys Among the Mormons ... is another series tale featuring father and son detectives. The 1903 plot of trying to save a young girl kidnapped to be married off in Salt Lake City features a rich Mormon wannabe politician (can you think Reed Smoot) and a sinister, elderly Church leader with a long white beard (think then-Prophet Joseph F. Smith.

My least favorite of the four is The Doomed Dozen ... It's not because of the plot, which features a Mountain Meadows Massacre-like slaughter on the trail led by a Mormon named John Leigh (think John D. Lee). There are virtuous young girls in peril and secret oaths, and dashing heroes sworn to stop the Mormons. Its fault is it's a little too long. There's an excess of plot and characters.

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The stories are dialogue heavy, very descriptive, and perhaps large portions of the novellas -- depicting, for example, wagon trains, or big-city social life -- are reasonably accurate. On the other hand, as Austin and Parshall note, the writing reinforces stereotypes of the "wild West" that existed because in the closed society of those times, imagination ruled for lack of mediums that could provide tangible reality. Bigotry is found in the pages. Native Americans are slurred in Eagle Plume ..., for example, even though they are allies of our heroes. The authors are conversational themselves, occasionally offering asides to readers.

I hope Latter-day Saints are not offended by these books. They are history lessons, a reminder Mormonism's struggle to rebound from setbacks, some well-deserved, some unfair. I found myself chuckling through some passages and yes, cheering our Gentile heroes against those "evil," Mormon elders consumed with lust for the young maidens. The novellas have a kick; they grabbed readers and made a nation more literate.

When I say pulp fiction, I refer to the hasty plots and generalizations. The writing is sophisticated and talented for its time. In fact, the novels' prose reminds me in style of Parley P. Pratt's autobiography, as well as the LDS apostle's frequent polemics and other tracts, either in support of the church or in opposition to its enemies.

The Dime Novels often end a chapter in suspense. However, just a few paragraphs later and the danger has subsided until the next literary dire situation. These novellas are ancestors of film melodramas, cowboy hour-long C movies and of course, adventure movie serials.

Even today, where contemporary Dime Novels are virtually gone from bookstores, they exist in streaming services. Whether it's Stranger Things, Peaky Blinders, Bosch, etc., viewers can binge an entire season in less than 10 hours of a single day -- something that could be accomplished 150 years ago  reading one of these novellas.




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