This review was originally published on March 27, 2009 in the Standard-Examiner newspaper. Due to a website update, it disappeared from the site. A search of Internet Archive failed to locate it. I am grateful to Christopher Bigelow, publisher of Zarahemla Books, providing a copy they had retained. Author Douglas Thayer died in 2017 at age 88.
Zarahemla Books’ latest offering in regional, LDS culture fiction, “The Tree House,” by Brigham Young University professor Douglas Thayer, maintains a soft grip on the reader which slowly tightens like a vice. Even when you think life is getting easier for the protagonist, Provo native Harris Thatcher, a sense of dread — just a few pages away — seems out there.
Thayer’s tale, which stretches from the mid 1940s to the mid 1950s, is told in gentle prose that almost seems to sleepwalk to the reader. Nevertheless, a lot of heavy, “big stick” stuff happens to Harris. His dad, who loved him but wasn’t a spiritual role model, dies. A few years later, Harris falls in love with a pretty classmate, Abby. Before “first love” can reach a gentle conclusion, Abby, who has frail health, dies.
Those two events are very important. Harris never seems to gain — real or unreal — a “testimony” of the Mormon faith. He’s a cultural member who does everything he’s supposed to but envies his best friend Luke, who has that type of sought-after “testimony.” There are very few pages where readers experience Luke in the first person. Perhaps that is intentional. Luke represents the outward spirituality that Harris never received from his father.
Abby’s death makes her a larger figure in Harris’ eyes than she would have likely been. She is the standard by which he compares women as he becomes an adult.
Harris is what most of us would call a “good kid.” He loves his mom and brothers, goes to church, gets good grades and works hard at a local job, earning the respect of several role-model adults, LDS and non-LDS. His life is geared toward his mission. He’s called to serve in West Germany.
At this point, Thayer’s novel shifts a bit in tone. What was a memoir of growing up becomes on the surface a faith-promoting tale of a boy becoming a man. Harris is shocked by the devastation of postwar Germany but impressed by the faith of some members and the stoicism of a non-member couple who lost sons in the war. He adopts that stoicism to resist the temptation to slack off and becomes a model missionary, enduring much rejection to find a few converts. He witnesses a lot “spiritual experiences” while still acknowledging to himself that he lacks a testimony.
Harris returns from Germany and, almost immediately, reports to the Korean War. Luke also is drafted, although they will not be together. At this point, the reader will be in for a jolt. The novel shifts from Harris’ sometimes sad, quiet Mormon life to the horror of life on a ridge in Korea trying to survive while fighting off endless hordes of invading North Korean and Chinese soldiers. Harris’ stoicism makes him a good soldier and keeps him alive against tough odds.
But what he endures, including hand-to-hand murder and witnessing death daily, destroys his fragile testimony. No longer can he accept as truth just because it is told to him. Enduring war, and its emotional aftermath, has taken all the energy Harris can muster. He has none left for religion, which now seems unimportant against trying to survive. In a very emotional scene, Harris wonders why he deserved to live when so many others died. Among the dead is his best friend, Luke.
If I have a quibble with The Tree House, it is that Thayer continues to pile tragedy upon Harris even after the war. As Harris begins to rival Job in calamity, the novel threatens to veer into parody.
Nevertheless, The Tree House is a success. I remain impressed by the quiet, soothing style of prose Thayer uses which can still impact the reader. Even a jarring transition from the serenity of the West German mission to the slow-building terror of the Korean War is handled deftly by the author.
Although most of us don’t experience war or a 1940s European mission, if we’re honest with ourselves, we can feel empathy with Thayer’s Harris Thatcher, who oftentimes goes through the motions of what’s expected of him even though he can’t feel it inside.
-- Doug Gibson
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